SSO Chamber Series
The Glory Of Baroque
Victoria Concert Hall
From Gabrieli to Handel, take a trip with UK period instrument violinist Peter Hanson through the elegance and riches of the Baroque greats, whose genius is displayed in their rich writing for voice and instrument – for which they often treated one like the other.
A multitude of solos is key to the design of the concerto grosso, a compact instrumental showcase that the likes of Biber and Vivaldi developed to spectacular heights. Arias from Handel’s most popular oratorio, Messiah, are just a tiny sample of the vast treasure troves of Baroque musical drama. Purcell’s pioneering work setting English language theatre music, and the lively dance-operas of French Baroque master, Jean-Philippe Rameau, equally deserve your listening ear.
- 19 May, 10am | For Friends of the SSO and ticketholders
- Peter Hanson, violin/conductor
- Felicia Teo*, soprano
- SSO Musicians
Canzon XVI à 12 Ch.209
Battalia à 10 "Battle Symphony"
Overture to "La forza delle stelle"
Chacony in G minor, Z.730
“Then shall the eyes of the blind”* and
“He shall feed his flock”* from Messiah
“Tornami a vagheggiar”* from Alcina
Concerto for Two Violins in A minor, RV.522
Concerto Grosso in G major, Op. 6 No. 1
Concerto for Strings in G minor, RV.157
Concerto Grosso in D major, Op. 6 No. 1
“Entreé de Polymnie” from Les Boréades
“Entrée: Les Sauvages" and "Tendre Amour"
from Les Indes Galantes
Concerto for Four Violins and Cello in B minor, RV.580
Concerto Grosso in B-flat major, Op. 3 No. 1
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